The Illuminatus! Trilogy is a series of three novels written by Robert Shea and Robert Anton Wilson first published in 1975.[1] The trilogy is a satirical, postmodern, science fiction-influenced adventure story; a drug-, sex-, and magic-laden trek through a number of conspiracy theories, both historical and imaginary, related to the authors' version of the Illuminati. The narrative often switches between third- and first-person perspectives in a nonlinear narrative. It is thematically dense, covering topics like counterculture, numerology, and Discordianism.
The trilogy comprises The Eye in the Pyramid, The Golden Apple, and Leviathan. They were first published as three separate volumes starting in September 1975. In 1984 they were published as an omnibus edition and are now more commonly reprinted in the latter form.
In 1986 the trilogy won the Prometheus Hall of Fame Award, designed to honor right-wing libertarian fiction,[2] despite the fact that there are several passages in the trilogy that savagely parody right-wing libertarianism and the Objectivist philosophy of Ayn Rand.
The authors went on to write several works, both fiction and nonfiction, that dealt further with the themes of the trilogy, but they did not write any direct sequels.
Illuminatus! has been adapted for the stage and has influenced several modern writers, musicians, and games-makers. The popularity of the word "fnord" and the 23 enigma can both be attributed to the trilogy. It remains a seminal work of conspiracy fiction, predating by years such novels as Foucault's Pendulum and The Da Vinci Code.
Themes[edit]
The Illuminatus! Trilogy covers a wide range of subjects throughout the book. These include discussions about mythology, current events, conspiracy theories and counterculture.
Conspiracies[edit]
Although the many conspiracy theories in the book are (presumably) imaginary, these are mixed in with enough truth to make them seem plausible. For example, the title of the first book, The Eye in the Pyramid, refers to the Eye of Providence, a mystical symbol which derives from the ancient Egyptian Eye of Horus and is erroneously claimed to be the symbol of the Bavarian Illuminati. Some of America's founding fathers are alleged by conspiracy theorists to have been members of this sect.[8]
The books are loaded with references to the Illuminati, the Argenteum Astrum, many and various world domination plans, conspiracy theories and pieces of gnostic knowledge. Many of the odder conspiracies in the book are taken from unpublished letters to Playboy magazine, where the authors were working as associate editors while they wrote the novels. Among the oddest was the suggestion that Adam Weishaupt, founder of the Bavarian Illuminati, killed George Washington and took on his identity as President of the United States. This is often noted in Illuminati-conspiracy discussion.[9] Proponents of this theory point to Washington's portrait on the United States one-dollar bill, which they suggest closely resembles the face of Weishaupt.
Robert Anton Wilson △ Secrets Of The Illuminati (1980, Audio)
Fnord[edit]
The nonsense word fnord, invented by the writers of Principia Discordia, is given a specific and sinister meaning in the trilogy. It is a subliminal message technique, a word that the majority of the population since early childhood has been trained to ignore (and, of course, trained to forget both the training and the fact that they are ignoring it), but which they associate with a vague sense of unease. Upon seeing the word, readers experience a panic reaction. They then subconsciously suppress all memories of having seen the word, but the sense of panic remains. They therefore associate the unease with the news story they are reading. Fnords are scattered liberally in the text of newspapers and magazines, causing fear and anxiety in those following current events. However, there are no fnords in the advertisements, thus encouraging a consumerist society. Fnord magazine equated the fnords with a generalized effort to control and brainwash the populace. To "see the fnords" would imply an attempt to wrestle back individual autonomy, similar to the idea of reading between the lines, especially since the word fnord was actually said to appear between regular lines of text.[10]
The word makes its first appearance in The Illuminatus! Trilogy without any explanation during an acid trip by Dr. Ignotum Per Ignotius and Joe Malik: "The only good fnord is a dead fnord".[11] Several other unexplained appearances follow. Only much later in the story is the secret revealed, when Malik is hypnotized by Hagbard Celine to recall suppressed memories of his first-grade teacher conditioning his class to ignore the fnords: "If you don't see the fnord it can't eat you, don't see the fnord, don't see the fnord..."[12]
Numerology[edit]
Numerology is given great credence by many of the characters, with the Law of Fives in particular being frequently mentioned. Hagbard Celine states the Law of Fives in Appendix Gimmel: "All phenomena are directly or indirectly related to the number five." (Late in the work, Celine demonstrates the meaninglessness of the Law of Fives by showing another character a picture of a young girl with six fingers on each hand and saying, "If we were all like her, there'd be a Law of Sixes.") Another character, Simon Moon, identifies what he calls the "23 synchronicity principle", which he credits William S. Burroughs as having discovered.[13] Both laws involve finding significance in the appearance of the number, and in its "presen[ce] esoterically because of its conspicuous exoteric absence."[14] One of the reasons Moon finds 23 significant is because "All the great anarchists died on the 23rd day of some month or other." He also identifies a "23/17 phenomenon." They are both tied to the Law of Fives, he explains, because 2 + 3 = 5, and 1 + 7 = 8 = 2³.[15] Robert Anton Wilson claimed in a 1988 interview that "23 is a part of the cosmic code. It's connected with so many synchronicities and weird coincidences that it must mean something, I just haven't figured out yet what it means!".[16]
Counterculture[edit]
The books were written at the height of the late 1960s, and are infused with the popular counterculture ideas of that time. For instance, the New Age slogan "flower power" is referenced via its German form, Ewige Blumenkraft (literally "eternal flower power"), described by Shea and Wilson as a slogan of the Illuminati, the enemies of the hippie ideal. The book's attitude to New Age philosophies and beliefs are ambiguous. Wilson explained in a later interview: "I'm some kind of antibody in the New Age movement. on the rewrite we deliberately threw in a couple of references to it, but we had worked out the structure on our own, mostly on the basis of the nut mail that Playboy gets".[17]
The prevalence of kinky sex in the story reflects the hippie ideal of "free love"; characters are both liberal-minded and promiscuous. The authors are well aware that it also provides an excuse for mere titillation: in a typically self-referential joke, a character in the story suggests the scenes exist: "only to sell a bad book filled with shallow characters pushing a nonsense conspiracy". Similarly, the books espouse the use of mind-altering substances to achieve higher states of consciousness, in line with the beliefs of key counterculture figures like Timothy Leary, who is mentioned throughout the three novels. Dr. Leary himself called the trilogy "more important than Ulysses or Finnegans Wake," two novels by author James Joyce—who appears as a character in The Illuminatus! Trilogy and is a favorite author of Robert Anton Wilson. This quote is blurbed on the covers or front page of its various printings.
Cognitive dissonance[edit]
Every view of reality that is introduced in the story is later derided in some way, whether that view is traditional or iconoclastic. The trilogy is an exercise in cognitive dissonance, with an absurdist plot built of seemingly plausible, if unprovable, components.[18] Ultimately, readers are left to form their own interpretations as to which, if any, of the numerous contradictory viewpoints presented by the characters are valid or plausible, and which are simply satirical gags and shaggy dog jokes. This style of building up a viable belief system, then tearing it down to replace it with another one, was described by Wilson as "guerrilla ontology".[19]
This postmodern lack of belief in consensus reality is a cornerstone of the semi-humorous Chaos-based religion of Discordianism. Extracts from its sacred text, the Principia Discordia by Malaclypse the Younger, are extensively quoted throughout the trilogy. It incorporates and shares many themes and contexts from Illuminatus. Shea and Wilson dedicated the first part "To Gregory Hill and Kerry Thornley", the founders of the religion. The key Discordian practice known as "Operation Mindfuck" is exemplified in the character of Markoff Chaney (a play on the mathematical random process called Markov chain). He is an anti-social dwarf who engages in subtle practical joking in a deliberate attempt to cause social confusion. One such joke involves the forging and placing of signs that are signed by "The Mgt." (leading people to believe they are from "The Management" instead of "The Midget") that contain absurdities like "Slippery when wet. Maintain 50mph."
Self-reference[edit]
There are several parts in the book where it reviews and jokingly deconstructs itself. The fictional journalist Epicene Wildeblood at one point is required to critique a book uncannily similar to The Illuminatus! Trilogy:
Several protagonists come to the realization that they are merely fictional characters, or at least begin to question the reality of their situation. George Dorn wonders early on if he "was in some crazy surrealist movie, wandering from telepathic sheriffs to homosexual assassins, to nympho lady Masons, to psychotic pirates, according to a script written in advance by two acid-heads and a Martian humorist".[21] Hagbard Celine claims towards the climax that the entire story is a computer-generated synthesis of random conspiracies: "I can fool the rest of you, but I can't fool the reader. FUCKUP has been working all morning, correlating all the data on this caper and its historical roots, and I programmed him to put it in the form of a novel for easy reading. Considering what a lousy job he does at poetry, I suppose it will be a high-camp novel, intentionally or unintentionally."[22]
Allusions to other works[edit]
For a work of fiction, Illuminatus! contains a lot of references to songs, films, articles, novels and other media. This is partly because the characters themselves are involved in doing research, but it is also a trademark of Wilson's writing.
The novel Telemachus Sneezed by the character Atlanta Hope with its catchphrase "What is John Guilt?" is a spoof of Ayn Rand's Atlas Shrugged,[23] the origin of the character John Galt. Ayn Rand is mentioned by name a few times in Illuminatus!, and her novel is alluded to by Hagbard who says, "If Atlas can Shrug and Telemachus can Sneeze, why can't Satan Repent?" Rand is also disparaged in one of the appendices concerning property, ostensibly written by Hagbard, which serves as an explanation of anarchist Pierre-Joseph Proudhon's views on the subject. There are also references to Thomas Pynchon's The Crying of Lot 49 and his Gravity's Rainbow, an equally enormous experimental novel concerning liberty and paranoia that was published two years prior to Illuminatus! Wilson claims his book was already complete by the time he and Shea read Pynchon's novel (which went on to win several awards), but they then went back and made some modifications to the text before its final publication to allude to Pynchon's work.[24] The phrase "So it goes" is repeatedly used in reference to death, a deliberate echoing of Kurt Vonnegut's Slaughterhouse-Five.
Author H. P. Lovecraft is alluded to often, with many mentions of characters (e.g., Robert Harrison Blake, Henry Armitage, Klarkash-Ton), monsters (e.g., Tsathoggua, Yog-Sothoth), books (Necronomicon, Unaussprechlichen Kulten) and places (Miskatonic University) from his Cthulhu Mythos. He even appears himself as a character, as does his aunt Annie Gamwell and one of his acquaintances, Hart Crane. Interest in Lovecraft reached new heights in 1975, with two full-length biographies published in the same year as The Illuminatus! Trilogy.
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